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|    rec.audio.tubes    |    Tube-based amplifiers... that go to 11    |    52,877 messages    |
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|    Message 51,390 of 52,877    |
|    Phil Allison to All    |
|    Re: The QUAD I amplifier    |
|    13 Jun 11 11:18:11    |
      From: phil_a@tpg.com.au              "flipper"        "Phil Allison"       >"Iain Churchus"       >>>"Phil Allison"       >>       >>>> In 1951 in the UK, there were no FM broadcasts, no stereo and the just       >>>> about the only records available were 78rpm and pickups were crude to       >>>> say       >>>> the least.       >>>>       >>>>> just about the only records available were 78rpm and pickups were       >>>>> crude       >>>>> to say the least.       >>>       >>> Not quite, Phil       >>>       >>> 10" LPs had been available in the UK since 1951,       >>       >>       >>** So did the chicken or the egg come first ?       >       > I doubt it was a chicken and egg kind of thing.                     ** I was only asking ( tongue in cheek) if the 10 inch LP or the Quad I came       first.               I do NOT believe that one actually caused the other to appear.                     > I mean, RHD4 (1951) has a section on 'Hi-Fi'                     ** Hi-fi amplifiers had existed since the mid 1940s (eg Leak ) but maybe       not by that name. They had their place in broadcasting, recording and disc       cutting where live signals ( from condenser and ribbon mics) were available       that needed to be monitored and the quality assessed.              Another fact is that the cost of manufacturing a " low-fi " amplifier ( say       2% THD and damping factor of 3 ) is barely any different from that of       amplifier like the Quad 1 or Leak point one. The difference is mainly in the       design detail and the amount of NFB that is used.              So, making an amplifier with 0.1% THD could be done and it didn't cost that       much more to do it - so it WAS done and sold initially to the professional       audio market.              However, "QUAD" is a re-arranged acronym for "Quality Unit Amplifier       Domestic" - so from 1951 onwards sales were aimed squarely at consumers.              By mid 1955, folk living in the south of England has access to the BBC via       FM radio - which must have been a complete revelation in terms of       distortion and noise whenever the program was live. This would be a major       incentive to own the best amplifiers and speakers available and I believe       WAS a major incentive for Quad to produce the ESL57.                            ... Phil              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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