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|    sci.optics    |    Discussion relating to the science of op    |    12,750 messages    |
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|    Message 11,623 of 12,750    |
|    haiticare2011@gmail.com to All    |
|    Re: Simple lock-in design for Oz-type me    |
|    28 Jan 14 09:28:26    |
      >        >        > A lock-in is exactly equivalent to a symmetrical bandpass filter        >        > followed by phase-sensitive downconversion to DC. Most of the time you        >        > want it to track the signal phase, but once in awhile it's useful in        >        > measuring the noise floor, or asynchronous signals. (You usually want a        >        > 2-channel lock-in for that, so you can get the total amplitude, as in        >        > the aforementioned AM radio. ;) )       >        >               snip snip              Phil, Here is the way I see lock-in amplifiers. They are ways to 'mark' a       signal so that the noise cannot sneak into the part you want to measure.       Consider a square wave which has a complex 16 bit pattern on it, there are       various codes which are low        probability of appearing in noise. These codes are used in CDMA, spread       spectrum, pseudo noise, Huffmann codes, Barker codes, etc. In this case, a 16       bit binary code will out-perform a simple square wave because its a rare       pattern and the information        gained, the SNR boost, is directly related to the Szilard formula for       information and entropy. So if you demodulate a rare long bit pattern, it is       like a demodulator for spread spectrum sequences, and it will reject noise       well.        Lock-in amps have been built with "Barker" codes of 13 bits, but according to       the tenets of information theory, a longer sequence of bits might even do       better - A practical advantage of this approach is it can be done by       microprocessor with minimal part        count - See Cappels.org.              jb              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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