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|    sci.optics    |    Discussion relating to the science of op    |    12,750 messages    |
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|    Message 12,241 of 12,750    |
|    mc@uga.edu to All    |
|    Puzzling out Nikon/Canon diffractive opt    |
|    04 Jun 16 20:27:50    |
      Greetings all,               I'm trying to puzzle out how Nikon and Canon's "diffractive optics" work.        These are elements used in some of their telephoto lenses. The descriptions       given on the companies' web sites are not quite specific enough for me.        Here's how I think it works.        (1) Recall that the term "Fresnel lens" is ambiguous -- it may mean a lens       with a spherical surface that has simply been collapsed into several       concentric rings, such as a lighthouse lens -- or it may mean a Fresnel zone       plate, which is a concentric        circular diffraction grating that forms an image. The reason it forms an       image is that the opaque and transparent zones are spaced so as to produce       constructive interference at the focal point. The zones that would cancel       them out them are opaque.        (2) Canon's and Nikon's diagrams look a bit like a collapsed spherical lens       (lighthouse lens) but they are adamant that diffraction is the effect being       used. They show lenses with no opaque zones.        So... Maybe they're making something like a Fresnel zone plate, except that       instead of being alternately transparent and opaque, the different zones have       phase shifts due to different thicknesses of glass. That would presumably do       the job of achieving        constructive interference at the focal point. Just shift half the zones an       odd multiple of a half wave, and shift the other half of the zones an even       multiple.        Is that it? Does anybody know anything more?        There must be a patent in which they say exactly how they're doing it, but       it's probably written in Japanese.              Thanks!              --- SoupGate-Win32 v1.05        * Origin: you cannot sedate... all the things you hate (1:229/2)    |
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